Pro Audio Equipment

Repair Your Pro Audio Or Video Equipment Call 888 354 2510

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Posted by admin on May 25th, 2017 :: Filed under repair
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WEM Audiomaster one of Pink Floyd’s! Late 1960′s with modern flight case

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WEM Audiomaster one of Pink Floyd's! Late 1960's with modern flight case

WEM Audiomaster one of Pink Floyd's! Late 1960's with modern flight case

WEM Audiomaster one of Pink Floyd's! Late 1960's with modern flight case

So they could have it back in the Pink Floyd equipment collection. I currently own WEM Audiomasters that have belonged to Pink Floyd , Fleetwood Mac, Ronnie Lane, Led Zeppelin, Eurythmics and probably have the worlds largest collection of Mk 1 Audiomasters both with and without monitor controls. I also have Mk 2 9 channel Audiomasters in fact I have two large WEM sections in my Museum. So up for sale here is a Pink Floyd WEM Audiomaster modified by Peter Watts (one of Pink Floyd’s original crew) and Charlie Watkins in the late 60s- this is Audiomaster no 4. You can occasionally find video footage of Pink Floyd crew setting up equipment and you will find they had two Audiomasters sat next to each other and another two banked up above them. They carried at least five on tour when they were using WEM Audiomasters before they moved onto a large stereo desk after changing over from WEM PA equipment. The item “WEM Audiomaster one of Pink Floyd’s! Late 1960′s with modern flight case” is in sale since Wednesday, May 24, 2017. This item is in the category “Musical Instruments\Pro Audio Equipment\Mixers”. The seller is “beam265″ and is located in Cheshire, Cheshire. This item can be shipped worldwide.
  • Suited For: Front of House (FOH)
  • Brand: WEM
  • Analogue/Digital: Analogue
  • Country/Region of Manufacture: United Kingdom
  • Number of Channels: Five
  • Type: Mixing Console

Posted by admin on May 24th, 2017 :: Filed under audiomaster
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Neve 2254 Compressor/Limiter

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Neve 2254 Compressor/Limiter

Neve 2254 Compressor/Limiter

Neve 2254 Compressor/Limiter

Neve 2254 Compressor/Limiter

Neve 2254 Compressor/Limiter

Neve 2254 Compressor/Limiter

Neve 2254 Mono Compressor/Limiter. One of the great compressors ever made. Used on countless recordings. I have owned this for over 25 years. It has been a mainstay of my recording and mixing workflow. It comes in a custom homemade MDF cabinet and edge connector with flying leads to XLR. Power supply will be included. I have listed this item with a respected pro audio dealer, so act fast. Free P&P within the UK or Collection from North London. Any Questions please ask. The item “Neve 2254 Compressor/Limiter” is in sale since Friday, May 05, 2017. This item is in the category “Musical Instruments\Pro Audio Equipment\Signal Processors & Effects”. The seller is “dynodenny” and is located in London, London. This item can be shipped to United Kingdom.
  • Number of Channels: 1
  • Brand: Neve
  • Model: 2254
  • Country/Region of Manufacture: United Kingdom

Posted by admin on May 24th, 2017 :: Filed under neve
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Allen And Heath Zed R16 Analog Mixer Mixing Desk Console MINT CONDITION

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Allen And Heath Zed R16 Analog Mixer Mixing Desk Console MINT CONDITION

Allen And Heath Zed R16 Analog Mixer Mixing Desk Console MINT CONDITION

Allen And Heath Zed R16 Analog Mixer Mixing Desk Console MINT CONDITION

Allen And Heath Zed R16 Analog Mixer Mixing Desk Console MINT CONDITION

Allen And Heath Zed R16 Analog Mixer Mixing Desk Console MINT CONDITION

Allen And Heath Zed R16 Analog Mixer Mixing Desk Console MINT CONDITION

Allen And Heath Zed R16 Analog Mixer Mixing Desk Console MINT CONDITION

Allen And Heath Zed R16 Analog Mixer Mixing Desk Console MINT CONDITION

Great sounding analog/firewire desk, in perfect working order, no scratches, no crackles, all channels working, midi functions and firewire working perfectly on all channels – no defects. Comes with custom made wooden side panels but the original red Allen and Heath sides are included in the box and can be re-attached with ease. Original box, foam, firewire cable and manual included. Smoke free home studio used at moderate levels. Collection in person preferred as it’s a heavy item but will post if you wish. If you’re reading this you already know what these are but I’ve copied and pasted the spec below. ZED-R16 combines an imaginative feature set with professional build quality to create the ideal centrepiece for any project studio with big ideas, or larger studios with dedicated live rooms. Control room speaker and alternate speaker outputs, plus two separate artist monitor feeds are provided. In addition to the digital inter face, two analogue recording outputs are also available. The ZED-R16 even has a dedicated internal condenser talkback mic. Features such as the dual function audio/MIDI faders and built in sequencer transport were dreamed up by engineers here at A&H who have home studios themselves, so theyve made sure theyve built in features they really need. The internal soundcard features 18 FireWire inputs and 18 outputs plus 16 ADAT I/O. Each channel on the mixer has its own independent soundcard channel so instruments can be recorded simultaneously (pre or post EQ) and into the sequencer separately. To minimise clock jitter and provide synchronicity between the ZED-R16 and other devices, the mixer is equipped with the professional JetPLL digital audio chipset. In addition to multi-track recording, the ZED-R16 allows mixing down in analogue, then recording back into the computer in digital. The bundled SONAR LE software makes this a breeze. The story doesnt stop here however – ZED-R16 can be a versatile live FOH mixer too. In this mode, its 4 aux buses become foldback feeds and FX sends, and the main XLR outputs feed the PA system. Recording the live gig is straightforward; the record feed signal can be easily assigned using the four buttons next to the faders. The ZED-R16s pre-amp, which has been specially designed for this application, has a symmetrical ultra linear circuit. The best epitaxial low noise transistors are used in the front end, and active feedback is employed in both phases before the differential amplifier. This results in super-low distortion, while maintaining low noise (-128.5dBu EIN), high CMRR, and a transparent and beautiful sounding pre-amp. Complete with two swept, fully parametric mids, and high and low shelving EQ, the ZED-R16 has a sophisticated equalisation section without rival in this section of the market. It has much in common with our class-leading pro touring mixers. Forty years of analogue mixer design has given us an unparalleled knowledge of filtering. Two pre and two post aux buses can be used as feeds for headphone amplifiers in the studio, FX sends anywhere, or wedge foldback live. The talkback function is either routed to the aux or studio outputs, so is ideal for any environment. The digital audio connections are all present on the rear of the desk. Two FireWire connectors allow the ZED-R16 to be connected to a personal computer whilst the second socket daisy chains devices. Two switches change the sample rate and routing selection, while 4 connectors allow input and output to ADAT equipment. In addition to the Firewire input and output, the ZED-R16 has 4 ADAT optical sockets. The I/O routing on the ZED-R16 is identical for the Firewire channels and the ADAT optical connection. With a combination of panel switches, the mixer is capable of an incredible 26 simultaneous inputs and outputs. Feed the ZED-R16 from ADAT lightpipe equipment, or record directly out from 16 channels to 2 ADAT machines, or to another soundcard. The MIDI section on the ZED-R16 has been designed to control software transport, with extra mappable controllers ready to be user-assigned. With recording now truly in the digital age, ZED-R16 brings the home studio bang up to date. In addition to the ZED-R16s dedicated MIDI controls, all of the channel faders can be switched to become MIDI controllers. The ZED-R has two signal paths for monitoring: an output for main control room monitors and outputs for an alternative set of monitors for checking mixes. The control room mix can follow either of the two main analogue outputs or the digital main mix, allowing access to all main audio outputs. The ZED-R16 has been designed using individual vertically mounted circuit boards with each rotary control fixed with a metal nut to the front panel – making a much more robust product that will resist damage and give years of reliable use. ZED-R16 also has professional 60mm faders for ultimate control over your levels. The item “Allen And Heath Zed R16 Analog Mixer Mixing Desk Console MINT CONDITION” is in sale since Monday, May 22, 2017. This item is in the category “Musical Instruments\Pro Audio Equipment\Mixers”. The seller is “virgilkunst” and is located in St. Leonards-on-Sea. This item can be shipped to United Kingdom.
  • Type: Mixing Console
  • Brand: Allen & Heath
  • Number of Channels: 24
  • Analogue/Digital: Analogue

Posted by admin on May 23rd, 2017 :: Filed under allen
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Maselec MLA-4 Stereo Triband Compressor and Expander

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Maselec MLA-4 Stereo Triband Compressor and Expander

The MLA-4s beautiful front-panel features all stepped rotary controls and bipolar switches with solid, positive action. The solid-state processor splits its left- and right-channel in- put signals into three frequency bandsLow, Mid and Highfor stereo dynamics processing. Dual-mono processing isnt afforded, but separate input-gain controls for the two channels each provide ±5dB adjustment range in 0.5dB steps. The two crossovers between bands each have a 6dB/octave slope; their filters are passive, promising minimal coloration and accurate summing for the three bands. You can select 100, 200, 400 or 800 Hz for the crossover between low and mid bands. Selections for the midrange-high crossover are 1.5, 3, 6 and 12 kHz. Each band has separate stepped controls for adjusting threshold, ratio, attack and release times, and makeup gain. An additional master threshold control proportionally adjusts the thresholds for the three bands at once. Rotating a bands ratio control counter-clockwise from the noon position (which provides 1:1 ratio) affects compression, while clockwise rotation produces upward expansion. Each band offers the same selection of compression and expansion ratios (five each): The compression ratios are 1.4:1, 1.6:1, 2:1, 3:1 and 6:1, while the expansion selections include 1:1.2, 1:1.4, 1:1.6, 1:1.8 and 1:2.0 ratios. Each bands gain control provides up to 2.5 dB of boost or cut in 0.5dB steps. The selection of attack and release times differs for each band, with each control offering six switched positions. The actual release times are program-dependent. Switching in the S/C (sidechain) Boost function provides a shelving boost to high frequencies in the High bands sidechain, causing greater compression or expansion in that band. Novel Linking and Metering. A five-position switch links the three bands sidechains in varioussome unusualways and provides an Off position to unlink them. The L->M setting makes the Mid band compress or expand the same amount as the Low band, but not vice versa. The L->H setting causes the High band to compress or expand as much as the Low band, but not vice versa. The L->MH setting makes both the Mid and High bands compress or expand the same amount as the Low band, without linking the Mid and High sidechains to each other or causing them to affect the Low sidechains detector. With the L->M, L->H and L->MH settings, there is an exception to the behavior detailed thus far: The bands linked to the Low bands sidechain wont follow the Low bands gain changes if they are by themselves producing higher gain changes than the Low band. This is one of several key operational points omitted in the somewhat vague owners manual. Another setting, dubbed Linked, links all three frequency-bands so that they are compressed or expanded the same amount (tantamount to wideband dynamics processing). With all link settings, compression and expansion functions are linked separately. Three vertically oriented, high-resolution LED ladders show compression and expansion amounts for the three bands, respectively: up to 4 dB of gain expansion is displayed by the top six (red) LEDs, while the bottom ten (green) LEDs show up to 8 dB of gain reduction. When bands are linked, its possible to see both gain expansion and reduction simultaneously displayed on one or more meters. For example, say youve selected the L->M link setting, the Low band is compressing 3dB, and the Mid band is expanding 3 dB. In this case, the Mid bands meter would show 3 dB of compression and 3 dB of expansion simultaneously. The net effect would be 0 dB gain change due to the equal expansion and compression cancelling each other out. But the meters would still show what each process is contributing to the net gain change so you can discerningly adjust each. A five-way switch lets you select what signal is routed to the MLA-4s outputs: the combined multiband signal; discrete signal from either the Low, Mid or High band; or unprocessed input via hardwire bypass. A large output-gain control adjusts post-processing gain ±5 dB in 0.5dB steps. On the rear panel, separate latching XLR connectors are provided for the left and right I/O, which are all electronically balanced but can be unbalanced by grounding pin 2 or 3. Roughly five feet in length, the detachable AC cord is rather short. The MLA-4 boasts superb specs. Respective maximum I/O levels are +29 and +28 dBuhigh enough to strap the unit across the stereo bus of virtually any mixing console. The frequency response is stated to vary no more than 0.05 dB from 20 Hz to 20 kHz, and the bandwidth is said to extend beyond 500 kHz. Typical noise is -90 dBu, and THD (with 1:1 ratios selected) is less than -90 dB. A country pop mix had a somewhat loud, boomy and muddy-sounding kick drum to go with slightly weak and dull-sounding snare hits. I set the MLA-4s crossovers to 200 Hz and 3 kHz. I selected a 2:1 compression ratio for the Low band, and then dialed in the fastest possible attack and release times and the highest threshold so that only the kick drums low end was audibly compressed. Next, I selected a 1:2.0 expansion ratio for the High band, switched in its S/C Boost circuit, and chose fast attack and release times. I adjusted the High bands threshold so that only snare (and, unavoidably, kick) hits would be expanded; doing so made the snare sound brighter and louder, but it also made the kicks beater sound too slappy (now that the kicks bass frequencies were attenuated in the Low band). No problem: By linking the Low and High bands sidechains, I could make the kicks high frequencies compress simultaneously with the same amount as its lowsfully nulling the kicks High-band expansion and without affecting expansion on snare hits. The net effect was the kick sounded leaner, tighter, clearer and quieter, while the snare sounded louder and brighter. I know of no other device that can achieve quite the same balance. Unfortunately, during the same songs choruses, the lead vocal became louder than the snare and was expanded along with itnot what I wanted. I wished the MLA-4 had separate bypasses for each band so I couldve instantly defeated only the high-frequency expansion during those song sections. The solution was to master the tracks verses and choruses in separate passes and then splice together the whole enchilada. Next up was an Americana mix propelled by a very percussive, slow groove played on acoustic guitar. The mix was nevertheless not quite dynamic enough, and it sounded slightly midrange-y. Mild compression in the Mid band softened the glare. But the mojo really ignited when I expanded both the Low and High bands and linked their sidechains; fast attack and release times gave the guitar groove a smiley-curve pulse and accented the male singers deep and raspy voice in sync with the music. With all ratios set to 1:1, I could also use the MLA-4 as an equalizer for broad tone sculpting. The MLA-4s passive filters sound excellent, with crystalline clarity and depth that goes all the way to China. Powerful and pristine, the MLA-4 is a fantastic tool for both mixing and mastering. This unit has had very little use. It’s in great rack condition has been a smoke free studio and not on the road. The Bypass pot very occasionally drops out momentarily while being switched. Has never been an issue. The item “Maselec MLA-4 Stereo Triband Compressor and Expander” is in sale since Monday, May 22, 2017. This item is in the category “Musical Instruments\Pro Audio Equipment\Signal Processors & Effects”. The seller is “prostudiogear” and is located in London. This item can be shipped to United Kingdom.

Posted by admin on May 23rd, 2017 :: Filed under maselec
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Maselec MLA-2 precision 2-channel compressor limiter

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Maselec MLA-2 precision 2-channel compressor limiter

Killer beast of a machine. The slightest rack ear scuff on bottom rack nuts. Overview The MLA-2 is a stereo or 2-channel compressor with stepped drive (input gain), ratio, attack and release time and output gain controls. For optimum transparency and freedom from noise the MLA-2 employs a non-VCA design. Applications Top recording and mastering engineers still use some analogue signal processing equipment, finding the familiar correlation between sound and control better to work with. However, most analogue compressors have either continuously variable controls, making precise adjustments difficult, or just a few coarsely-stepped controls. Many fail to meet the standards of audio performance consistent with digital media. The MLA-2 provides fully-stepped controls for precision and repeatability for ALL parameters. The MLA-2 is extensively used in mastering but also works well on an insertion point in recording or mixing. The MLA-2 has a rear-mounted range control switch that adjusts the threshold range to suit either mastering or recording/mixing applications. The MLA-2 is a compressor that can provide effective dynamic control with minimal side-effects – it is designed to provide a very transparent signal path. Pedigree and design philosophy for the Maselec Master Series The second to appear in the range of Maselec Master Series products, the MLA-2 was developed for Prism Sound by engineer/producer Leif Mases. Leif’s work with a diverse range of artists including Abba, Led Zeppelin, Jeff Beck and Black Sabbath as well as co-ownership of the renowned Marcus Studios in London provided the essential experience using the “tools of the trade” needed to define and implement new and improved professional audio components. Also qualified in electronic design, Leif Mases developed the highly acclaimed Maselec 9001 retrofit equalizer for SSL 4000 mixing consoles used in film sound and recording studios and currently also builds custom consoles and equipment for mastering and other applications. The combination of Leif Mases’ experience with the creative process and Prism Sound’s focus on engineering and technical excellence ensure that the Maselec Master Series delivers great-sounding audio in an intuitive and easy-to-use package. Using the MLA-2 The MLA-2 is a very special Compressor that has been designed to provide effective but subtle compression. It uses the principle of a fixed threshold, with adjustable drive (or input gain). This makes for more intuitive operation than an adjustable threshold – turn the drive control clockwise and increase the compression depth. The progression into the compression region is gradual and changes as the ratio is increased. Minimal output gain make-up adjustment is needed as the threshold is slightly modified running through different ratio settings. This creates a consistent gain point with about 2-3dB of compression across the ratio range. Control of release time is always an issue and special attention has been lavished on this feature. The MLA-2 intelligently adjusts its release time based on the front panel setting for the most musical result. In addition, a modified release decay has been used rather than the conventional exponential curve. The MLA-2 IMAGELINK system provides a stereo side-chain link that allows the gain of the two channels to track so avoiding the risk of stereo image shifting when only one channel is controlled. However, transients that are placed to the extreme right or left can result in a slightly un-natural ducking of the other channel, so the stereo link is controlled to avoid this. The MLA-2 achieves excellent results with speech and other highly dynamic sources, as well as instruments such as piano, saxophone or drums. It has a distinctive character, discernable both sonically and in the unique shape of its progressive compression curves. It provides the warmth, punch or air you need with a minimum of effort and without compromising the signal path. Great sounding compression is right behind the controls! The item “Maselec MLA-2 precision 2-channel compressor limiter” is in sale since Monday, May 22, 2017. This item is in the category “Musical Instruments\Pro Audio Equipment\Signal Processors & Effects”. The seller is “bazthewhitecat” and is located in Cheltenham. This item can be shipped to United Kingdom, Mexico.

Posted by admin on May 22nd, 2017 :: Filed under maselec
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Gml 8200 Stereo Parametric Equalizer Eq Classic With Original Power Supply

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Gml 8200 Stereo Parametric Equalizer Eq Classic With Original Power Supply

Gml 8200 Stereo Parametric Equalizer Eq Classic With Original Power Supply

Gml 8200 Stereo Parametric Equalizer Eq Classic With Original Power Supply

Gml 8200 Stereo Parametric Equalizer Eq Classic With Original Power Supply

Gml 8200 Stereo Parametric Equalizer Eq Classic With Original Power Supply

Gml 8200 Stereo Parametric Equalizer Eq Classic With Original Power Supply

George Massenburg is the inventor of parametric equalization and their GML 8200 is the pinnacle of this concept in a perfect hardware form. You will find them in world’s top studios and mastering houses and when you insert it on your stereo master bus it lets you do its magic like no other eq or plugin. It is in immaculate condition and in perfect working order. We are refurbishing our studio and hence the sale. It has given us sterling service over the years and we will be sad to see it go. We can provide a VAT invoice upon request. The item “GML 8200 STEREO PARAMETRIC EQUALIZER EQ CLASSIC WITH ORIGINAL POWER SUPPLY” is in sale since Sunday, May 21, 2017. This item is in the category “Musical Instruments\Pro Audio Equipment\Signal Processors & Effects”. The seller is “songphonic” and is located in Chertsey, Surrey. This item can be shipped to European Union member countries.
  • Type: Equaliser
  • Brand: Massenburg GML
  • Model: GML 8200
  • MPN: Does Not Apply
  • Form Factor: Rack Mountable
  • Number of Channels: 2

Posted by admin on May 22nd, 2017 :: Filed under stereo
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Monoprice Pro Audio Isolation Shield Firstlook

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Posted by admin on May 21st, 2017 :: Filed under monoprice
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Behringer X32 TP COMPACT Digital Mixer Console inc Flight Case & Warranty

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Behringer X32 TP COMPACT Digital Mixer Console inc Flight Case & Warranty

Behringer X32 TP COMPACT Digital Mixer Console inc Flight Case & Warranty

DJ & Digital DJ Equipment. Digital Vinyl Systems (DVS). DJ Mixers & Effects Units. Rack Mountable CD/MP3 Units. Speaker / Amp Kits. Portable PA & Karaoke. Flight Cases, Bags & Covers. Instrument & Misc Stands. Microphone Stands & Brackets. Cables, Connectors & Fuses. Digital Vinyl System (DVS). Computers / Laptops & Tablets. Docks & Network Streamers. HiFi Cassette Decks & Tuners. AV & Home Furniture. Drum Kits & Machines. Fog / Smoke Machines. Snow / Foam Machines. MIDI Keyboards & Controllers. Sound Cards & Audio Interfaces. Spares Repairs / Clearance. Module & Rack Components. Safe And Secure Payments. M-Audio MIDISPORT 2×2 USB Bus Powered M.. M-Audio Keystation Mini 32 MK2 32-Key Ke.. Quad 405-2 Current Dumping Hi-Fi Separat.. M-Audio BX5 D2 5 2-Way Active 70W Studi.. The Dunlop Systemdek Audiophile Transcri.. Tannoy Revolution DC6T Hi-Fi Floorstandi.. M-Audio Keystation 49es 49-Key USB MIDI.. Fogtec VP 1000 Fogger VP1000 DJ Disco Sm.. Electro-Voice EKX-18S & EKX-18SP Padded.. Ii Very good quality and price. Very pleased thank you. Lk all as described – i would trade again. Jh very happy thank you. Great product thank u? Ei Brilliant, thank you. Oe Great ebayer thanks. Aa Thankyou very much much appreciated:. Li Thanks good service. Id very pleased – thank you. 7h Great item, accurate description, A1 ebayer. This feature packed Behringer X32 COMPACT (TP Version with flight case) comes in excellent condition. This X32 Compact also includes a very high quality Behringer flight case, also in very good condition with a few very minor marks only. 40-Input, 25-Bus Digital Mixing Console with 16 Programmable MIDAS Preamps, 17 Motorized Faders, Channel LCD’s, 32-Channel Audio Interface and Touring-Grade Road Case. Compact 40-input channel, 25-bus digital mixing console. Touring-grade road case featuring marine-grade plywood, impact-resistant aluminum extrusions and high-density protective foam. 16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality. 17 Fully automated motorized 100 mm faders allow for instant overview, powerful scene management and DAW control. 8 XLR outputs plus 6 additional line in/outputs, 2 phones connectors and a talkback section with integrated or external mic. Individual and dynamic LCD Scribble Strips on all channels and buses creating easy assignment and intuitive channel distinction. 32 x 32 channel USB 2.0 audio interface, with DAW remote control emulating HUI and Mackie Control. IPad and iPhone apps for professional remote operation available free of chargeno host PC required. High-resolution 7 day-viewable Color TFT for easy viewing of workflow components and parameters. Main LCR, 6 matrix buses and all 16 mix buses each featuring inserts, 6-band parametric EQ’s and full dynamics processing, plus 8 DCA and 6 mute groups. Virtual FX rack featuring 8 true-stereo FX slots include high-end simulations such as Lexicon 480L and PCM70, EMT250 and Quantec QRS etc. 40-Bit floating-point DSP features “unlimited” dynamic range with no internal overload and near-zero overall latency (0.8 msec). 48-channel Digital Snake ready via dual AES50 ports, featuring KLARK TEKNIKs SuperMAC networking capability for ultra-low jitter and latency. USB type-A connector providing file storage and uncompressed stereo recordings plus show presets and system updates. Dedicated and easy-to-use channel strip section with direct access controls and graphic user interface for intuitive workflow. Additional user-definable control section allows to set up short-cuts to your favorite views or parameters. ULTRANET connectivity for BEHRINGER’s P-16 Personal Monitoring System plus AES/EBU stereo digital output and MIDI. Networked remote control for show setups with on-screen software editor via Ethernet. Built-in expansion port for audio interface cards or digital networking bridges. Future firmware updates, incl. Conceived and designed by BEHRINGER Germany. WhyBuyNew is the trading name of Audio Visual Commodity Ltd. That, as a company, has been established for over 25 years specialising in New, B-Stock, Pre-owned, Ex-Display, Repackaged and Reconditioned DJ equipment, musical instruments and consumer electronics. Now, all these years on, whybuynew is the largest DJ Equipment retailer for New and B-Stock in the UK, built up on giving customers excellent prices and the best customer care possible which was his vision from the very beginning. In February 2017, whybuynew yet again moved to a brand new, larger premises located on The Hythe in Colchester, Essex where we could hold even more stock at bargain prices and have dedicated departments for sales, service and product testing and more. How do I contact you? Our address details are. WhyBuyNew 1A Altbarn Road Colchester Essex CO2 8LG. Yes, we would love to hear from you and always want to assist you in any way we can. If you place your order on a Friday night, Saturday or Sunday the item/items will be dispatched Monday. Scottish Highlands and certain other rural areas. Additional carriage charges apply to some areas. How to track my item? At WhyBuyNew we aim to be the most efficient and helpful company within our marketplace and will do everything we can to assist you. No items are supplied on a trial basis. We aim to keep our stock levels accurate but in the event that an item is ordered that we have not in stock we will contact you straight away. The consumer shall not be entitled to a repayment in the event that. He/she does not take reasonable care of the goods pre or post cancellation. Remember, we are here to help and would love to hear from you. Product Support & Questions. After Sales & Service Department. Akai EWI USB Wind Instrument EWIUSB MIDI.. GPO Attache Black Portable Briefcase Rec.. Small Medium Large XL XXL Pet Dog Cage C.. QTX Sound QA1000 1000Watts Power Amplifi.. Gorilla GLS-100 T Bar Lighting Stand Hig.. GPO Bermuda Blue Retro 3-Speed Vinyl Rec.. M-Audio Keystation 61 MKII USB MIDI Velo.. New Citronic CX34 2/3/4-Way Active Cross.. Stagg Les Paul Electric Guitar Hard Carr.. Join Our Exclusive Newsletter For Up To Date News, Special Offers And New Arrivals. Get in touch with us. 1A Altbarn Road Colchester Essex CO2 8LG. The item “Behringer X32 TP COMPACT Digital Mixer Console inc Flight Case & Warranty” is in sale since Friday, March 17, 2017. This item is in the category “Musical Instruments\Pro Audio Equipment\Mixers”. The seller is “why.buy.new” and is located in Colchester CO2 8LG. This item can be shipped to all countries in Europe.
  • Brand: Behringer
  • Type: Mixing Console
  • Number of Channels: 32
  • Model: X32 COMPACT TP
  • MPN: X32 COMPACT TP
  • Analogue/Digital: Digital
  • Number of Buses: 25

Posted by admin on May 21st, 2017 :: Filed under behringer
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PMC TwoTwo 5 PAIR Active 2-Way Studio Monitor Immaculate! 225

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PMC TwoTwo 5 PAIR Active 2-Way Studio Monitor Immaculate! 225

PMC TwoTwo 5 PAIR Active 2-Way Studio Monitor Immaculate! 225

PMC TwoTwo 5 PAIR Active 2-Way Studio Monitor Immaculate! 225

PMC TwoTwo 5 PAIR Active 2-Way Studio Monitor Immaculate! 225

PMC TwoTwo 5 PAIR Active 2-Way Studio Monitor Immaculate! 225

PMC TwoTwo 5 PAIR Active 2-Way Studio Monitor Immaculate! 225

Pair of PMC TWOTWO 5s in absolutely perfect condition! All original packaging, cables, paperwork. Used in my pro studio for a three month project by request of client. Can’t afford to keep them – they will be sorely missed! The top end is so detailed but not harsh, the mids seem to go on forever and the bass is incredibly tight. Stereo image is wide yet very precise with large sweet spot. Sound like much larger and more expensive monitors. Collection from Ely by arrangement. Any questions please ask! The item “PMC TwoTwo 5 PAIR Active 2-Way Studio Monitor Immaculate! 225″ is in sale since Wednesday, May 03, 2017. This item is in the category “Musical Instruments\Pro Audio Equipment\Speakers & Monitors”. The seller is “studiogearshop” and is located in Ely. This item can be shipped to United Kingdom.
  • Brand: PMC
  • Model: TWOTWO5
  • MPN: TWOTWO5
  • Active/Passive: Active

Posted by admin on May 20th, 2017 :: Filed under twotwo
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